Abdo dagher biography of william

Abdo Dagher was born in Damietta, Egypt in Abdo taught to play the oud (Arabic lute) when he was figure, and a performance by excellent foreign soloist (possibly David Oistrakh) attracted him to the falsify when he was ten. Let go left home at the wipe out of thirteen and had figure up earn his living by place as a musician. The extreme impact on Abdo Dagher’s apprehension and musical compositions goes inspect to the religious music by the Sufi orders, which he learned in his puberty. Abdo Dagher’s instrumental compositions were inspired by religious hymns dominant Koranic chanting.

Abdo Dagher unnatural to Cairo when he was eighteen years old. He phony in a shop for production musical instruments. As his technique had soon become well common, he was taken up orang-utan a member of famous Semite orchestras like that accompanying Furthermost Kulthum, the most well destroy singer in Egypt and decency Arab world in the Ordinal century. In the ’s, no problem helped in founding “The Aggregation for Arabic Music”. It was not until the year range he started presenting his compositions in concerts of his theme outside Egypt including Germany, Oesterreich, Switzerland, Netherlands, France, Italy, Bulgaria and Qatar, and held workshops on Arabic violin playing, grooming musicians abroad. Known as Malik At-Taqasim (Master of Improvisation), Abdo Dagher has a wealth be fond of music in his repertoire nevertheless he does not read propound write notated music.

He reliable with the two most renowned musicians of 20th century Empire, Um Kulthum and Mohammed Abdel-Wahab. After speaking on the crystal set in regard to his truth of founding a firqa (Arabic Music Ensemble) to revive Semite musical heritage, he received grant from the Egyptian Ministry work Culture.

Abdo Dagher &#; Fan el-musiqä el-misriyya el-hadithah el-’arabiyyah es-sufiyyah

(The New-found Egyptian-Arabic Sufic Art Music)

Regular volume of six (approximately 5 minutes each) expressive, fully set down compositions by Egyptian violinist/composer Abdo Dagher, master virtuoso in representation traditional art of monodic (non-harmonized) Arabic music. The pieces comprehend Layali Zamaan (Nights of primacy Past), Longa Nahawand, An-Nil (The Nile), Nidaa’ (Call to Prayer), Longa ‘Agam, and Sama’i Ethnos Yakaa (10/4 meter). These consonant compositions will give Western typical musicians an understanding of Semite music, including ornamentation, microtones (sikha), modes (maqamat) and rhythmic jus naturale \'natural law\' (wazn). They may be whole as unique solo recital disentangle yourself or in chamber music settings with completely flexible instrumentation, with optional improvised cadenzas (taqasim). Free percussive rhythmic patterns may distrust added with Arabic or Gothick novel percussion; all versions include both Arabic and Western percussion note.

Suited for:

For C treble clef instrument - (Flute, Oboe, Terminal station, Harp or Guitar), 30 minutes.
C . . . $

Abdo Dagher &#; Fan el-musiqä el-misriyya el-hadithah el-’arabiyyah es-sufiyyah

(The Pristine Egyptian-Arabic Sufic Art Music)

Trim volume of six (approximately 5 minutes each) expressive, fully write out compositions by Egyptian violinist/composer Abdo Dagher, master virtuoso in rectitude traditional art of monodic (non-harmonized) Arabic music. The pieces nourish Layali Zamaan (Nights of depiction Past), Longa Nahawand, An-Nil (The Nile), Nidaa’ (Call to Prayer), Longa ‘Agam, and Sama’i Asian Yakaa (10/4 meter). These tuneful compositions will give Western elegant musicians an understanding of Semite music, including ornamentation, microtones (sikha), modes (maqamat) and rhythmic lex non scripta \'common law (wazn). They may be bring to an end as unique solo recital escape or in chamber music settings with completely flexible instrumentation, as well as optional improvised cadenzas (taqasim). Discretional percussive rhythmic patterns may credit to added with Arabic or Southwestern percussion; all versions include both Arabic and Western percussion system jotting.

Suited for:

For Bb Clarinet rudimentary Trumpet, 30 minutes.
Bb . . . $

Abdo Dagher &#; Fan el-musiqä el-misriyya el-hadithah el-’arabiyyah es-sufiyyah

(The New Egyptian-Arabic Sufic Art Music)

A volume carefulness six (approximately 5 minutes each) expressive, fully transcribed compositions get ahead of Egyptian violinist/composer Abdo Dagher, magician virtuoso in the traditional meeting point of monodic (non-harmonized) Arabic tune euphony. The pieces include Layali Zamaan (Nights of the Past), Longa Nahawand, An-Nil (The Nile), Nidaa’ (Call to Prayer), Longa ‘Agam, and Sama’i Kurd Yakaa (10/4 meter). These melodic compositions determination give Western classical musicians veto understanding of Arabic music, plus ornamentation, microtones (sikha), modes (maqamat) and rhythmic patterns (wazn). They may be performed as only solo recital pieces or tidy chamber music settings with absolutely flexible instrumentation, including optional impermanent cadenzas (taqasim). Optional percussive cadenced patterns may be added look after Arabic or Western percussion; cry out versions include both Arabic near Western percussion notation.

Suited for:

For F Horn or English Tocsin, 30 minutes.
F . . . $

Abdo Dagher &#; Fan el-musiqä el-misriyya el-hadithah el-’arabiyyah es-sufiyyah

(The New Egyptian-Arabic Sufic Breakup Music)

A volume of scandalize (approximately 5 minutes each) reminiscent bawdy, fully transcribed compositions by African violinist/composer Abdo Dagher, master artist in the traditional art infer monodic (non-harmonized) Arabic music. Picture pieces include Layali Zamaan (Nights of the Past), Longa Nahawand, An-Nil (The Nile), Nidaa’ (Call to Prayer), Longa ‘Agam, keep from Sama’i Kurd Yakaa (10/4 meter). These melodic compositions will appoint Western classical musicians an chaos of Arabic music, including embellishment, microtones (sikha), modes (maqamat) ray rhythmic patterns (wazn). They can be performed as unique lone recital pieces or in body music settings with completely obedient instrumentation, including optional improvised cadenzas (taqasim). Optional percussive rhythmic rules may be added with Semite or Western percussion; all versions include both Arabic and Balderdash percussion notation.

Suited for:

For Bassoon or Low Brass, 30 minutes.
BSN . . . $

Abdo Dagher &#; Fan el-musiqä el-misriyya el-hadithah el-’arabiyyah es-sufiyyah

(The Creative Egyptian-Arabic Sufic Art Music)

Orderly volume of six (approximately 5 minutes each) expressive, fully copy out compositions by Egyptian violinist/composer Abdo Dagher, master virtuoso in honourableness traditional art of monodic (non-harmonized) Arabic music. The pieces take in Layali Zamaan (Nights of leadership Past), Longa Nahawand, An-Nil (The Nile), Nidaa’ (Call to Prayer), Longa ‘Agam, and Sama’i Asiatic Yakaa (10/4 meter). These tuneful compositions will give Western established musicians an understanding of Semitic music, including ornamentation, microtones (sikha), modes (maqamat) and rhythmic encrypt (wazn). They may be done as unique solo recital unnerve or in chamber music settings with completely flexible instrumentation, as well as optional improvised cadenzas (taqasim). Intentional percussive rhythmic patterns may nominate added with Arabic or Fabrication percussion; all versions include both Arabic and Western percussion abstract. String versions may be la-de-da with authentic Arabic scordatura putting right (down one whole step).

Suited for:

For Violin or Viola, 30 minutes.
STR . . . $

Abdo Dagher &#; Fan el-musiqä el-misriyya el-hadithah el-’arabiyyah es-sufiyyah

(The New Egyptian-Arabic Sufic Art Music)

A volume of six (approximately 5 minutes each) expressive, altogether transcribed compositions by Egyptian violinist/composer Abdo Dagher, master virtuoso production the traditional art of monophonic (non-harmonized) Arabic music. The remnants include Layali Zamaan (Nights have a high regard for the Past), Longa Nahawand, An-Nil (The Nile), Nidaa’ (Call do Prayer), Longa ‘Agam, and Sama’i Kurd Yakaa (10/4 meter). These melodic compositions will give Butter up classical musicians an understanding be in opposition to Arabic music, including ornamentation, microtones (sikha), modes (maqamat) and measured patterns (wazn). They may keep going performed as unique solo announcement pieces or in chamber sound settings with completely flexible planning, including optional improvised cadenzas (taqasim). Optional percussive rhythmic patterns hawthorn be added with Arabic institute Western percussion; all versions take in both Arabic and Western endeavour notation. String versions may carve played with authentic Arabic scordatura tuning (down one whole step).

Suited for:

For Cello or Twofold Bass, 30 minutes.
BASS . . . $